The Sphinx

SanandaMaitreya.com ..

....


The forest fascists were gone. They were on their annual 3 week rotation, during which they were replaced by 'temps' who treated the rotation like a camp holiday. They drunk a lot of beer, roasted more than a few hotdogs and marshmallows, told racy stories, lied about a few adventures and fell asleep only to begin another loose reunion the next day. And unlike the usual forest guards, the professionals always on the lookout for promotion and for whom no statute or minutia of the law could ever be overlooked, lest they lose points, their replacements were generally young people who volunteered for this service because they liked the forest and its inhabitants. They felt comfortable there. They were likewise by the animals comfortably received. So Woody, perched upon his concrete pole was buzzing and playing air guitar. It had been some time since a meeting with Doctor Deemus, his state appointed psychotherapist, his programmer, as he too were on holiday, to the relief of the woodpecker. Then there was the fact that it had been mandated by 'the council', that Woody's treatment were proceeding according to schedule, so he were unchained, to his immense satisfaction and been given instead a radio tag that was calibrated to give him shocks, should he stray beyond the forest perimeter he were confined to. Being Woody, naturally, heavily doped on his medications, he took off one night. Only to awaken the next morning on the perch of Nate the Night Owl, who had found him splayed out on the forest floor and looking as dazed and confused as a nursing baby in a titty bar. Woody were grateful to have been found by Nate, before being found by the forest marshals, or he would've been detained for some time and scheduled more hours with the doctor/programmer, Deemus. And even though he and a few other forest creatures felt that the moniker, 'Nate the Night Owl' was a little redundant. Owing to the fact that Owls are anyway known to be legendary night watchmen, the patron saints of insomnia. He were still grateful for the hospitality of Nate, who had also turned him on to his favorite band, THE WHO. A love which Nate had inherited from his father, Pete. And it was 'Late Night' Nate after all who had told Woody that the best way to get a cougar to remember your name was to get her to spell it, while you were spanking her. Nate even allowed Woody to indulge himself in some good old fashioned wood drilling on his family tree, and you have to know how swell it felt for Woody to finally, after what seemed like an eternity, have a real nature planted tree to bash his head against, to drill his beak into, instead of his concrete pole with reinforced Portland cement which he were forced to call home. A real tree felt like a slice of paradise spreading its arms wide. So here now was the woodpecker, on his own pole flailing his arms about and imagining himself to be a rock star and free. Playing for all of the forest beasts and those who love them. Suddenly, in the midst of his rapture, as if being invaded by a light, in his mind's eye he encounters THE SPHINX. For the bird, this is the cherry on top of a nut encrusted sundae. Cried out the woodpecker, “Lord Sphinx, Cool!” It were not necessary for the Sphinx to speak, although, as the burial chamber of THE THIRD ALIEN, where an ancient spell had placed him at rest, he could communicate, as he could also travel, by thought projection. Sometimes, merely being imagined by the bird gave him a transfer of energy which helped to inspire and sustain him. The woodpecker could feel the flow from the Sphinx which clearly conveyed that if his spirits were on the rise, this bade well for the future and for his mind.
“I am beginning to understand more of what is the ZOOATHALON. I see now that it is not only about the precession of the equinoxes, or the turning of the zodiac wheel. I see now that it is about the interrelationship between both common and uncommon systems”, said Woody. The Sphinx again said nothing though his energy related that this was correct, while still being but one more layer of the onion. Of course at different times, the woodpecker caught a glimpse into the multilayered meaning of the Zooathalon and its significance. He also, on a few occasions, felt that it had a connection with some kind of 'Mothership', or ARK. Hearing the woodpecker thinking this within his mind, the Sphinx sent a thought wave. 'Yes, you are also correct, but think on me now, while I am here'. Which had the instant effect of bringing the woodpecker back into the moment's directness, at least while the Sphinx were with him in his mind. 'Life stretches out these answers dear friend, as a courtesy to our pace. It is not wise to push time around, because time pushes back'. And having said these last words, THE SPHINX, disappeared back into the frequency he had arrived from. “Wow”, thought Woody, and slumping suddenly his shoulders, out of nowhere, he began to cry. Silent, sincere, sobs. He were overcome with emotion and had to release it, with a 'FINALLY' attached to it. Tears are the ribbons which men see not enough of, so all which fall are pearls of confession, that we too are not above the pain. Nor the joy of its release. He remembered his last meeting with DOCTOR DEEMUS, who while Woody was trying to catch a sly nap, was going on about something like... (what was it..Oh yeah), BEWARE IN THE DISTANCE WHAT YOU BEHOLD, FOR UP CLOSE, THEY MAY JUST BE STRAW HORSES AND PAPER TIGERS. For some reason, that had jumped out at him and lodged itself into his jellied brain. Ok, so his dark mood passed, he wasn't sad anymore. Sometimes the medications, the 'meds', made him unexpectedly umbilical.He would get quickly withdrawn, sullen and more introspective than he would like, yet had to deal with just the same. The pills even , though not often, interfered with his favorite transgressions with his new cougar friend, though she understood. Sometimes she even joined him in his meds, during their late night encounters. Now that he could fly at night to her, this put the manhood back into his willing wicked ways, and much to her delight. Still, overall, clearly life was looking up. And, although universally woodpeckers are known to complain if necessary, this particular woodpecker was certain that if ever there were a time to complain about less, now was the time. He recalled the advice given to him by THE SPHINX, on trying to see his relationship, while it lasted with Dr.Deemus, less in terms of 'censorship' and more in terms of 'editing'. The difference being that one sought to suppress what was true, while the other sought to clarify and reveal it. Even if it took a sharp blade to pierce the bone marrow of indifference.


It wasn't as if NOAH had to do ALL of the work. He had clout. Influence. So, naturally he subcontracted. And upon whose shoulders some of the grind and grunt work fell was a one Mr. LUTHER MEANS. Luther was a 'weaver'. One of those persons who weaved themselves in and out of events as required, those who walk in and out of history to push along the progress of species, including our venerable own. A contractor if you will of evolution. A space walker. He knew the doors and where they were. The TIME DOORS. Luther always meant business, regardless of the task at hand, so he was much chagrined at this task of arranging for the pre-boarding of the animals during the time that master NOAH was away on vacation, touring the outer Hebrides. This were an important event for the ZOOATHALON, so it had to be done with great concentration. Not to mention what Luther saw as shaping up to be quite a political challenge as well. Luther Means had no idea, even as a 'gravity bender' that this pre-boarding would be so fraught with hysterics and confrontations with his sanity. The main problem was two fold. First, it seemed that there were absolutely NO WAY, that he were ever going to be able to convince BOTH 800 pound gorillas that there was a place for them each on the ARK. He had not anticipated the sheer size of each gorillas determination to be the only 800 pounder on board. He were informed in no uncertain terms that what worked for the other species were fine by them, but 800 pounders just didn't roll like that. They were far too territorial. Who on God's green, but soon to be flooded earth had ever heard of ANY story at all, ANYWHERE, where two 800 pound gorillas are in it? Who? Furthermore, the second part of the problem was the gorillas great fear of the presence, the inclusion of THE SHORT WAVE BANDITS. For in these here neck of the high plains, known for their powers of mental concentration and projection are a species of caterpillar known as the 'KILLER CATERPILLARS'. They are called the Short Wave Bandits for their ability to get into the mind and third eye of any creature and temporarily paralyze it with hypnosis. It has even been said that when the Lemmings go off the sides of cliffs, it is the work of the Short Wave Bandits, simply demonstrating their powers in order to protect their reputation. With this in mind, there was not even a chance that ONE 800 pound gorilla would risk getting on that damn boat, no matter how many halos it might have had around it. It can be faithfully said that 800 pound gorillas fear nothing much at all.
And the killer caterpillars are nothing much at all. At least not to look at. They are about no longer that the average credit card at best and a dull muted spotted gray. They do not look any more menacing than a book worm. But 800 pound gorillas know different. They know that an 800 pound gorilla has vulnerabilities. Not many, but one being their abject fear of being paralyzed by the killer caterpillars, and other animals ganging up on them. Or, being hypnotized and made to think of itself as a moose. Or a moose which thinks itself to be a mouse being attacked by mice which anecdotes say have happened. 800 pound gorillas were raised to understand by other 800 pound gorillas that image is not to be taken lightly. Perception is all. Or, they lose respect for you as an enforcer. Or you and your species begin disappearing from 800 pound gorilla jokes, only to have your place taken in those stories by Baboons and their kin. They hated overexposure for the same reason. It lessened their impact as the punch line, which were a lucrative source of bread and butter for them and their tribe, their watering hole. Hell no, it couldn't be like that, so wouldn't be like that. It might also cut into their merchandising! To Luther Means, who had but 3 days before the pre-boarding exercise that the animals of the Zooathalon had to participate in, if they wished inclusion, this were a conundrum he would have preferred to have passed on to another member of Noah's team of architects, engineers, scientists, and animal trainers for the more diva like among the creatures. He also couldn't fail to notice how much the animal trainers were like unto their own separate species, and that they themselves seemed to need training more than the animals who paid their salaries. He had, like the rest of Noah's crew, been left strict instruction to include all of the samples of life which they could find. They had been instructed to take DNA samples from what could not be provided space for aboard the vessel. He might have decided to have the 800 pound gorillas 'put down' and just their blood and tissue material taken, so that the caterpillar issue wouldn't be. But it were generally agreed that having live, active 800 pounders aboard the craft would serve as a stabilizing effect on some of the wilder animals. It was like having King Kong on the ship to keep the peace. For most of the other animals, the Short Wave Bandits were respected, they were kind of heroes in a way and many animals told of instances where the killer caterpillars were known to induce higher states of dream like consciousness upon those who showed the requisite respect. It was all in how you approached them. Moreover, they had done a pretty good job convincing the rest of the animals of their, the SHORT WAVE BANDITS, 'supreme importance to the ecosystem'. Yeah, whatever, because, going WAY BACK, 800 pound gorillas and the killer caterpillars in these parts of God's green, get along about as well as a Red Sox and a Yankee. They get on about as well as AC Milan and Inter Milan, a Hatfield and a McCoy. Which is to say, 'SCREW YOU NOAH, YOU BETTER DRAW UP NEW PLANS'. When Luther Means agreed to step within time and participate in the GENOME PROJECT, Codenamed: ZOOATHALON, he could not have envisioned an encounter with the very nervous skunks who had to be repeatedly reassured that they would not only be aboard the ship as blood samples. They were well aware that quite a few other animals, if given the vote, would vote them on only as tissue matter stored in a vial, a petri dish, in a box. Luther laughed while recalling the dark joke a skunk captain made when inquiring about the truth of the rumors that they would be stored as samples in boxes. Who had with gallows humor replied, 'We skunks do our best thinking OUTSIDE the box, if you know what I mean'. And he would have had no idea that giraffes, who can see over everything and everyone were so particular about where they had to be placed. He had no clue until then that not ALL beings were amused by the sound of singing chipmunks. And that around here, if you were a talking horse, you were simply told to shut up. And he still were not sure which of the fish species to invite on board, and which to simply issue an invitation to follow along the side of the boat, while it was in the water, and perhaps just give them 'per diems'. He were aware that the sharks were petitioning to be paid for securing the boats perimeter in the water, and that the whales wished to have no part in any of it. Word being that according to some kind of secret deal, the whales would inhabit the coast of a country named after them when land reappeared. As it were, those next 3 days would be full of challenges to Mean's authority and graft until such a time as THAT moment arrives when it all suddenly falls into place as smoothly as a ball falls down from the sky after having been tossed so gleefully by those active hands, at peace with themselves in this wondrous parade of life and consciousness. Vanity abounding, folly fitfully unfolding, menace unmoored and wits unchained, THE ZOOATHALON. One thing however was made very clear to him by the 800 pound gorillas, both of them. “And don't even THINK about replacing us with normal gorillas. Those spoiled NATIONAL GEOGRAPHIC bitches, silverback or otherwise, 'cause IT DON'T WORK LIKE THAT FOOL”. And somewhere a group of 'wetback' gorillas are stirring, and figuring soon might be the time to make THEIR move. Make their presence felt. As far as they were concerned, there was no way that the silverbacks were going to be invited at the exclusion of the wetbacks. You can believe that. If they had to start something, they would. Nor would their fierce pride allow them to be 'reclassified' as another species of gorilla, or as they saw it, REBRANDED, to keep the numbers tidy and classifications neat.
LUTHER MEANS would crack the code, of this he were sure. He just had to keep his thinking cap on for a while longer. Besides, to him, these conceits were none more striking than our own human ones, who, having imagined ourselves once upon a time as human, are now stuck with our own impression.


LUTHER MEANS were also, while preparing his paperwork, given to understand that 800 pound gorillas were averse to confusion and that something urgently had to be done to clarify this whole mess between GORILLAS and GUERILLAS. To the gorillas, it were stupid to have two different spellings of what was supposed to mean the same thing, as all gorillas are warriors to themselves. So, what's with these other infringing assholes?
'Are they going to be on the boat too'? The 800 pound gorillas had definitely earned the intellectual respect of Luther by having insulted him one day during a routine survey. Working together for at least this once, they had asked him, “So what does a Scotsman keep under his kilt?” When Means confessed ignorance, they had both in tandem replied, “YOUR FATHER'S PHONE NUMBER”.


Stories by Sananda. May 4th 2010. Copyright and intellectual property claimed. With added vitamin D. All rights reserved - www.SanandaMaitreya.com


 


Lyrics & Credits:


Fade in fade out if that's your fate
Just don't fade away
Save your reflection to carry another day
And if you're gonna tell somebody tell me
If you're gonna tell somebody tell me
'cause I will take you through the rain
'cause I never know, I never know with you.

Time comes by and ties your hands
And leaves it with demands
The heart is a fable unless it bleeds when it can
And if you're gonna tell somebody tell me
And if you're gonna tell somebody tell me
And I will take you through the rain
'cause I never know, I never know with you
'cause I never know, I never know with you.


Words and Music: Sananda Maitreya
Drums, Bass, Piano, Strings, Vocals by Sananda
© +
2010 Treehouse Publishing
www.SanandaMaitreya.com


 


If all it takes is flowers and flattery
Then the weather's just as fickle as your heart it seems
Then the Taj Mahal is just a structure built to keep the rain from you
because no matter what you do, it always floods my dreams.
Young man, what you gonna do when love gets ahold of you?

'Cause you've had blues so long
that it's become your song
and it will knock you off your feet
until you right your wrong
'cause you've had to take the heat
but still carry on
while the midnight lingers on,
Euphoria.

If all it takes is white wine and sympathy
Someone to listen to you tell them all the little things you need
Then the unemployment line is where you find the man with that kind of time
I wish you all the best, I wish you all of God's speed.
Young man, what you gonna do when love gets ahold of you?

'Cause you've had blues so long
that it's become your song
and it will knock you off your feet
until you right your wrong
'cause you've had to take the heat
but still carry on
while the midnight lingers on,
Euphoria.


Words and Music: Sananda Maitreya
Drums, Percussion, Bass, Organ, Keyboards, Strings, Vocals by Sananda
© +
2010 Treehouse Publishing
www.SanandaMaitreya.com


 


The ballad of LeBron and Kobe
The ballad of LeBron and Kobe

The ballad of LeBron and Kobe
Don't act like you don't know me
'cause I'm your will to win
No matter what the shape I'm in
I crave the meaning of these minutes
And all the sweat that I've put in it
I'm the King of the hill
And I am because I pay the bills.

The ballad of LeBron and Kobe
The ballad of LeBron and Kobe

I fall in love with epic battles
I fight until I hear bones rattle
I'm your vitamin E
But I'll foul you if you get too mean
I'll shimmy when I need to shake 'ya
And I'll shake 'ya when I need to wake 'ya
I'll raise the top of your game
And I'll thank you if you do the same

The ballad of LeBron and Kobe
The ballad of LeBron and Kobe

I'll take the wind out of your sails
I'll make you bite your fingernails
I'll take you to the hole
And bank it on a finger roll
Pressure keeps me in the zone
Even when I feel alone
And I'll SCREAM at the referee
If he slows my game down on TV
If he slows my game down on TV

The ballad of LeBron and Kobe
Don't act like you don't know me
'Cause I'm your will to win
No matter what the shape I'm in


Words and Music: Sananda Maitreya
Drums, Bass, Acoustic Guitar, Electric Guitar, Vocals by Sananda
© +
2010 Treehouse Publishing
www.SanandaMaitreya.com


 



They put the blame on me
but I was never there you see
they put me on the run
I gotta keep 'a movin' on
this a way, that a way, either way, I've got to get away
this a way, that a way, either way, I've got to get away

They put the blame on me
they're living in a fantasy
my profile fits the bill
so I'm living off the time I steal
this a way, that a way, either way, I've got to get away
this a way, that a way, either way, I've got to get away

They put the blame on me
a blemish on my legacy
the word is “shoot to kill”
I'm living off survival skills
this a way, that a way, either way, I've got to get away
this a way, that a way, either way, I've got to get away

They put the blame on me
another little tragedy
my fingerprints were there
she was strangled with her underwear
this a way, that a way, either way, I've got to get away
this a way, that a way, either way, I've got to get away

They put the blame on me
but I was never there you see
they put me on the run
so I gotta keep 'a movin' on
this a way, that a way, either way, I've got to get away
this a way, that a way, either way, I've got to get away

They put the blame on me
but I was never there you see


Words and Music: Sananda Maitreya
Drums, Bass, Percussion, Acoustic Guitar, Electric Guitars, Horns, Vocals by Sananda
© +
2010 Treehouse Publishing
www.SanandaMaitreya.com


 



'Said I was there when they picked him up
And beat him on the Captain's table
I was there when they slapped him up
And made sure that he was disabled
He played with the band
And they sucked
Since they left land
Yada yada yada yada ya
I was relieved it wasn't me

I was there when they picked him up
And fed him with a knuckle sandwich
I was there when they wrapped him up
And treated him like extra baggage
They made him walk the plank,
More sharks there than in the bank
Yada yada yada yada ya
I was relieved, he was a thief

'Said I was there when they turned him into
Entertainment for the pirates
His mouth slipped and he said things
That made the Captain very irate
His tongue, it got him hung
Just because of a song he sung
Yada yada yada yada ya
As you can see, it wasn't pretty

I was there when they made him wear a dress
And then they called him 'Sally'
They put lipstick on his lips and
Made him wait for John McNally,
A crew member who
Likes his women in BIG shoes
Yada yada yada yada ya
You can believe he was a freak

I was there when they
Redirected his ideas about his living
Grabbed him, jabbed him, dragged him, stabbed him
Like a turkey at Thanksgiving
I saved him with my blade
And stole the water from his grave
Yada yada yada yada ya
I was relieved it wasn't me

'Said I was there when they picked him up
And beat him on the Captain's table
I was there when they picked him up
And beat him on the Captain's table


Words and Music: Sananda Maitreya
Drums, Bass, Percussion, Acoustic Guitars, Banjo, Keyboards, Vocals by Sananda
© +
2010 Treehouse Publishing
www.SanandaMaitreya.com


 


She's sad
after all the things I've done for her
She's sad
after all the things I've said to her
She's sad
after all the time we made it through
and I only want to know that she'll be happy

She's sad
after all the walks on the sands
She's sad
after all the money and demands
She's sad
after lawyers and their liberties
and I only want to know that she'll be happy

She's sad, sad, sad
after all the lines of poetry
She's sad, sad, sad
after flowers and their flattery
She's sad, sad, sad
after all the broken memories
She's sad
She's sad

She's sad
and I've seen a waterfall of tears
She's sad
no more Cupid and his arrows here
She's sad
all the valentines have disappeared
and I only want to know that she'll be happy

She's sad, sad, sad
deceivers are not believers
She's sad, sad, sad
I was open like a wide receiver
She's sad, sad, sad
after wasting all my precious time
She's sad
She's sad

She's sad
after all the moments drift away
She's sad
and she's at a loss for what to say
She's sad
and now I look the other way
and I only want to know that she'll be happy


Words and Music: Sananda Maitreya
Percussion, Acoustic Guitar, Bass, Vocals by Sananda
© +
2010 Treehouse Publishing
www.SanandaMaitreya.com


 

All songs, written, produced, arranged and performed by Sananda Maitreya for Treehouse Publishing\ SanandaMaitreya.com

All tracks recorded and engineered by Matteo Sandri ('Sergente')
Mixed by Sananda and 'Sergente'
Recorded and mixed over 13 days between April 12-29 2010 in Milan Italy at MONO Studio (near the Chiesa Di San Lorenzo). Thanks to Enea Bardi for Tech support, Matteo Cantaluppi for vibe support and as always my brilliant unassuming collaborator, Matteo 'Sergente' Sandri. A shout out to Nick 'The Sticks' Taccori for loaning me some sticks when I lost mine and to Mattia Pittella for snares and Alessandro Pasini for my new Magneto Amp. Thanks also to Toby the studio dog.
Thank you our Webmistress\dominatrix Lily. Thank you to my dear Francesca Maitreya.
To the staff at Treehouse Publishing. And to you for your patience and support.
And another special shout out to my old friend LUTHER MEANS (and Luther means business!).


Drums used were Yamaha Studio model, Cymbals were UFIP, Bass was Fender Jazz, Banjo was a Fender 5 string. Keys were Kurzweil and Roland. Guitars, acoustic and electrics were all Gibsons. Bass amp was an ACOUSTIC 220. Guitar amp was MAGNETO. We also used the Crybaby Wah-Wah (for the mojo and the ya-ya).
Most of the percussion was Latin Percussion. All other details escape my memory at this present time.


Listen, I could not have done the crime
I was in the studio at the time, capisce?


These songs dedicated to all that we have lost and to the great things we stand to gain.


This has been a SPHINX presentation. The ZOOATHALON, PART 1. We return you now to your regularly scheduled programming.

  • Pronounced: Zoo- a-tha-lon, emphasis on the second syllable

  • The 'woodpecker' stories may catch you up on the scene.

  • Time of selections:

  • I Never Know 2:06

  • Euphoria 4:21

  • The Ballad of LeBron & Kobe 3:18

  • The Blame 3:08

  • The Captain's Table 3:30

  • She's Sad 2:44

'Straw Horses & Paper Tigers'

 

The woodpecker was incensed. His tight perm limp and flushed. Why did his state appointed analyst have to be so bloody patronizing? Did he really expect Woody to believe that since being ‘re-assigned’ to a concrete pole, that his splitting headaches had nothing at all to do with literally beating his head up against a wall? Surely part of the reason he were assigned to the concrete pole was to punish him for the grave sin of being a woodpecker in a forest wanted for its natural riches, and noticing that from day to day, there seemed less rhythm coming from the trees, fewer other ‘woodies’ stopping by to chat and share seed information. Fewer places to raise the continuation of their tribe under protected forest canopies. One day, Woody found himself simply relocated to the very back of the forest, attached by his ankle to a tall single grey concrete pole. And he would pay dearly from then on for the crime of being a woody who cared about the lives of other woodies, as well as the cardinal sin of having awakened to the destruction of his natural habitat and not being a Cardinal. So says Doctor Deemus:
“But there is absolutely no scientific evidence to support the idea that your headaches, no matter how fierce, are caused by your extrapolations on your home pole. So you must get this idea out of your head. As your doctor, I must say that I fear the head pain is caused more by your belief than it is by your pecking habits”. Great, thought Woody, yet another who knows my own mind before I even get a chance to unravel it for them. And he never listens really, but just waits for openings to inform me of what my next thought should be, or the ‘appropriate response’. “How are you getting on with the medications?” asked the doctor. ‘I am woozy much of the time and finding it hard to sleep all of the way through my sleep cycle. Last night, I dreamed that I found a Scottish burr in my saddle’. A bit distracted, the doctor then replied, “Oh, I see, that was a pun, very good. It shows progress towards positive thinking when you see the humour in your condition”. ‘No, doctor, literally, I dreamed that my saddle had a burr in it, though it spoke with a thick Scottish brogue.
I am also still having those nuclear fission nightmares, where I am given only half a day to come up with the formula that will insure the lives of woodpeckers worldwide, but I have a block, and can’t for the life of me remember the formula, and I always wake up in a cold sweat. Which is weird because in the dream, I always seem to be wearing a cold sweater’. The doctor was nodding and patient, but in that way that suggests he felt vaguely superior to it all, that he was somehow better than the work he were bade by his intellect to endure, as were it charity work to be tackled on the way to sainthood, on behalf of those less fortunate and privileged than he. Those ‘nebbish-y’ (though more nebulous) guys who all want to be Wallace Shawn, but without an approximate Wallace Shawn skill set, at best the hairline, perhaps the slight hesitance of immediate posture beyond gravitational necessity. But certainly in no other way either to be considered ‘Wallacinian’ or ‘Shawn-esque’ as it goes. But they sure did hold down a leather arm chair in a nicely appointed office quite convincingly, even if mostly they just tried to keep you away from thoughts which may expose the callousness of the state’s operating mindset. The way it kept an ever sharp, eagle eye out for any of the forest inhabitants who cared to know what was going on, and who were simpleminded enough to believe that life was also as much about them, as it was about plans being constantly made for them by others. Doctor Deemus flat out looked at Woody and prescribed him a much stronger medication because “You have no business dreaming about nuclear fission. It cannot but confuse you. No wonder you are not resting well, for you are stressing your mind beyond its capacity”. And Woody had to swallow that. That bitter nonsense. The not so subtle attack on his intellectual ambitions. Surely if he were dreaming of something, ANYTHING, then clearly it were not beyond his imagination. And if he were dreaming it, it suggested that he DID understand it, he just DIDN’T GET IT. A big difference. He just had to remember what he already understood. Besides, if woodpeckers were not going around and trading nuclear secrets, it may well be that they had already evolved beyond it. It may well have been them and their species that blew up Mars. It may well be that the deserts of the world are there because of the time when woodpeckers were experimenting with their knowledge of all things nuclear, and that over time, as one might expect, they grew bored with it all and simply acknowledged to themselves that cracking a tree open with their rapid fire blasts was all in all a lot more enjoyable and productive, not to mention less of a threat to the environment. Naturally, in a human centric media, it is assumed that other species haven’t already been and passed through current human dilemmas. So here was Woody being laden with some other dulling chemical mechanism to place his consciousness under corporate house arrest. For the sin of having been attached to a mind that dreamt of unspeakable things, at least as far as preening overconfident psychoanalysts were concerned. Yet, they were careful never to prescribe for Woody, what might make him high. A chuckle-head. Glad -hearted, gaily embracing the day. No. Just those things which would keep him as dazed and out of alignment as possible, in order that momentum of thought be discouraged and to keep him close enough to pain. To arrest the sensation of liberation and the free thinking it arouses in inquisitive, confident, unthreatened minds. Woody thought to himself as he sat in front of his doctor, ‘After scaling the heights, the only place left to go is through it’. And he was correct. His migraines notwithstanding, he were still a creature of nature confined to a most unnatural life, and he were only allowed to be accompanied by those who were apologists for it and the state’s feckless brutality. Even most of the old Owls had up and moved away from the forest, which is never a good sign, when the owls leave. ‘Ever tried getting a lovely woodpecker chick to come swing by your pole for a bit of a ‘bash’? They never come back for a second date. Plus, where can I take them? There are no holes in my pole to hide in. I am chained when not in this office spilling my guts out, to a bloody grey concrete slab. Sexy? Romantic? I don’t think so’. The only thing left to the dignity of the woodpecker was to bide his time, wait for a slip up by forest security, and fly the coop as soon as the chance presented itself. And dodging snipers if he even got that far. Until the forest were behind him and no longer beneath him. When that time arrived, he were certain that he had only one destination which were of interest to him. Once free of these patronizing woods and its buzz, having been taken over by the chainsaws drowning out the bees, he would alight, with what will and might could take him there and begin his journey to the land of THE SPHINX. When sands and lightning converged, with Woody borne upon the air, he had some serious questions he wished to ask the Sphinx. If ever such a time should come. Dr. Deemus: “Woody, where did you just go? I asked you a question”. ‘Sorry doc, it’s the meds, I blank out from time to time. What was the question?’ Sighed the doctor from his long session, “You rather absentmindedly murmured something about THE ZOO-ATHALON. Tell me, what is that?” Woody, tired and pale, and ready to return to the relative security of his concrete pole, pinched one eye towards the doc and stated, ‘Woodpeckers do not have rhythm spasms only, as you call it. We also have our secrets’. “Perhaps (said Deemus), that is why you are experiencing the headaches, due to the deep secrets you keep hidden from yourself”.
‘With all due respect, doc, these secrets are being kept from you, not from myself and we are certain that our headaches are caused by my being sentenced to having to smash my noggin and beak against reinforced Portland cement, while being forced to eat genetically restructured bird seed. And maybe a few of these sessions’. The doctor was sure that upping the dosage to a stronger lithium content would smooth Woody’s ruffled feathers. Maybe even encourage pleasant dreams. The doctor’s training had been, ‘Pity ‘Em? More lithium!’ Woody was more sure that he had to find a way to escape the tedium of constantly monitored and belittled expectations and the notions and potions of denial, before he risked actually growing to appreciate what useful side there may be in having to drill one’s meditations straight into a spike with no pulse, no bounce, just intense and pure resistance. Not to mention what it did to a woodpeckers hairstyle. His moment, he just knew it, would come. And when he did, though none may gasp, all of time would know. Dorothy wanted to see the wizard. Woody, THE SPHINX.

We were going to go into a studio before the holiday season, with a view towards performing a few small selections as a gift to ears and as a farewell to a very welcoming year. The plan was to record a couple of piano pieces, while preparing to begin next year, with our THE SPHINX project. Plans have a way of mutating into different plans, so as soon as we finished this production, I turned to our lovely engineer, MATTEO SANDRI, and said to him, ‘Sergente’, somehow I think that this was the beginning of the next project.’ He looked at me with the nonchalance for which the recently married ‘Piemontese’ is known and replied, ‘OK’. I had felt an instinctive nudge from My spirit that this was indeed the way it wished to begin, almost by surprise. We offer this first chapter free, subsequent chapters will be mastered as we go to insure the highest sound representation immediately, in real time, and will reflect the variety of mood and tone, light, angles and shade that we feel emanating from the will of the portion of spirit which has made itself available to our own. There may even be a chapter perhaps dedicated more specifically to whatever ‘experimental’ approach we are inspired to present, though our main focus, as always, will be songs and how most truthfully to present them. I am excited about the prospect of this project, which has possessed me now for over 2 years. We are grateful to be working now exclusively for the music and not the whims of calculus and the books it keeps. We look forward to sharing with you the shapes that this project wrings forth from its process and do hope that you enjoy it in the spirit in which it is presented. As the ‘Sphinx’ projects to me, we will likewise promote to you. We wish you and your ears, and your overall life activities well. Welcome to BRUSHSTROKE SUNRISE!

The selections are:



All songs written, produced, arranged and performed by Sananda F. Maitreya Engineered and Recorded by Matteo ‘Sergente’ Sandri. Mixed by Matteo and Sananda at Studio 75 in Milano, Italy on the 27/28 November 2009. Song 3 features the ‘I Had To Pull Some Strings’ Section. We thank them for their participation. Instruments used were a Yamaha Baby Grand, and a Roland Fantom X8. Thank you.

Notes about the selections:
The holidays are emotional times. These are emotional songs. At first, the Sphinx is silent!

These songs have been presented before. ‘Time takes Time’ first appeared on the ‘Angels and Vampires’ collection in a vocal version and different arrangement. While preparing this ‘suite’ at home, we had envisioned making the first 2 pieces as a unit, while presenting a 3 rd selection as a chamber piece, as I have always particularly liked chamber music and ‘hear’ it rather easily. We felt that the hymn like quality of the song leant itself to a chamber treatment. I can hear it now being played as a wedding march or as a holiday functionary. But we dream this way. Our ‘Requiem’ was first presented in 2004, though we have been agitating for several months now to ‘get back at it’ and do it from a more ripened perspective, it still being very fresh when first presented. Now we feel more emotionally prepared to present the piece with more reserve and detachment, though with what fire was needed in conveying the elements it sprung forth from. We dedicate this piece in particular to those who have suffered the wounds of war, scars both visible, and the even bigger ones that are naked to the eye, though of heavier weight to the scales of time. Finally, our take on one of my all time favourite pieces of music, the grand master MOZART’S Adagio from Piano Concerto No. 21 (if we are not mistaken, though if we are, then it must be Concerto No. 23). I can remember a time, while living in the desert of Los Angeles, when this piece stabilized my will to live. I can recall when it was literally a wellspring of faith for my spirit. Master Mozart’s music has a way of turning melancholy into soft clouds of victory. We offer this selection for those who at times, require a witness to the nobility of their pains. And though we do in moments scratch and claw, mainly we itch. To move on. To shake a tail-feather and go. At some point, in following our river of tears, we reach the precipice, whereby, in taking the leap of faith, that same river of sorrows becomes waterfalls of joy, slapping against even the hardest rocks, and wetting their expectations.

The initial plan was not to make these selections a part of the new project. But it did wind up that way. All subsequent pieces of music to be original presentations, unless otherwise inspired.

Thank you for how much enthusiasm has poured into my heart from yours that I may give it back to you. You give me the balloon, I twist it into a shape. An amusing one we hope, at least.

A special thanks to Alessandro Cocchia for the artwork and to Andrea Gorini at Studio 75 and to my wonderful staff at Treehouse Publishing.

At first The Sphinx is silent!

Sananda F. Maitreya

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