Angels & Vampires: The Songs

JUST WHO ARE?

Introduction to chapter 4:

THE MISSING LINCOLNS ARE TIME TRAVELLERS WITH THE KNOWLEDGE AND EXPERTISE OF DIMENSION JUMPING AND SHAPE SHIFTING WHO WERE CREATED TO ASSIST LARGE EVOLUTIONARY LEAPS. THEY TRAVEL AS MINI-COUNCILS OF THREE AND ARE ABLE THROUGH THE SCIENCE OF SOUND AND WORD VIBRATION TO AFFECT THE SUBTLE STRUCTURE OF THE ENERGY MATRIX OF THE EARTH AND HUMAN BODY. THEY PRODUCE THROUGH COLOUR AND TONE A TRIGGERING EFFECT WHICH ALTERS THE DEGENERATIVE COURSE OF THE DNA. EVOLUTIONARY TRIUMPHS IN CONSCIOUSNESS ARE ALWAYS THE SILENT WORK OF THE MISSING LINCOLNS. WHO ARE ALSO KNOWN FOR BEING GREAT PRACTICAL JOKERS WHEN THEY ARE BORED.*

*	FOR HYPER SPACE DREAM CONTACT: BEFORE SLEEPING RECONFIGURE IN YOUR MIND (INSTEAD OF COUNTING SHEEP) THE LETTERS IN YOUR LAST NAME UNTIL YOU HAVE COME UP WITH THREE WORDS. FOCUS ON THOSE WORDS AND THAT WILL BE YOUR PASSWORD FOR HANG TIME AND COUNSELLING WITH THE MISSING LINCOLNS! FOR DAY DREAM CONTACT (MEDITATIONAL ASSISTANCE): RECONFIGURE THE LETTERS IN YOUR MOTHER'S MAIDEN NAME FOR TWO WORDS AND BREATHE DEEPLY THREE TIMES.



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[2:10"]

[3:00"]	[4:30"]

[3:30"]	[4:05"]

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Words and music: Sananda Maitreya

Words and music: Sananda Maitreya

Words and music: Sananda Maitreya

§

All songs written, arranged, produced and performed by SANANDA MAITREYA
(in collaboration with the man of a thousand years !)
Engineered by Emiliano (Emo) Alborghetti
Assisted by Matteo Cantaluppi
Mixed by Emo and Sananda
Recorded in last two weeks of January 2005 at
Jungle Sound Station in Milano - ITALY
Executive produced by LUTHER MEANS® (and LUTHER MEANS® business!)
for TREEHOUSE PRODUCTIONS

ALL RIGHTS RESERVED BY AND FOR SANANDA MAITREYA
ALL SONGS COPYRIGHT CONTROL

Piano Yamaha P80

Drums were by 'Drumsound' (the blue kit)
Bass epiphone viola through an Ampeg preamp
Guitars were Gibson BB KING Lucille going through both
a Matchless Amp and a Fender Pro Junior

Drums were by 'Drumsound' (the blue kit)
Bass epiphone viola through an Ampeg preamp
Guitar was Fender Stratocaster '90s model
through both a Matchless Amp and a Fender Pro Junior

Drums were by 'Drumsound' (the blue kit)
Bass epiphone viola through an Ampeg preamp
Guitars were Gibson BB KING Lucille going through both
a Matchless Amp and a Fender Pro Junior

Drums were by 'Drumsound' (the blue kit)
Bass epiphone viola through an Ampeg preamp
Keyboards were Piano Yamaha P80 and Roland VK8

For more information go to Emo at www.junglesound.com
as my memory tends to fade as one session ends and another begins…

the memory of the great and inspiring Ossie Davis,
as towering and noble a figure our culture has produced.
For more info on his legacy look it up!

AUTHOR'S COMMENTARY:

FROM THE SENTIMENT THAT IT IS MUCH BETTER TO HAVE LOVED AND LOST THAN NOT TO HAVE LOVED AT ALL. ONE MAN'S HEARTBREAK IS AN ARTISTS' NEW HEART BEING REVEALED. WE TAKE THAT HEART, BLEEDING AND CRY OUR MOST REVELANT TEARS, DREAM OUR BIGGEST DREAMS. MAKE MINE THE MEMORIES OVER THE HESITATION, THE MOMENTUM AND THEN THE MEDITATION. GIVE ME LIFE, OVER THE SHADOW THAT FEAR CASTS OVER IT. PLUS SHE WAS A GREAT KISSER…

USUALLY AFTER A PEAK EXPERIENCE OR A REVELATORY EPISODE, THE COME DOWN OFFERS DOUBT SLOBBER AS RIDICULE AND THE LAW. ONE SIDE SAYS TRUST COMPLETELY IN YOUR VISIONS, THE OTHER SIDE GNAWS AT THE THREADS THAT HOLDS YOUR FAITH TOGETHER AND REMINDS YOU INSTEAD OF A LOT OF OLD COBBLED TOGETHER RATIONALE, REPRESENTING FATHER LAW: 'THE LAW THAT MUST NEVER BE CHALLENGED' AND THEREFORE THE LAW YOU HAVE TO CHALLENGE TO BECOME YOUR OWN MAN, THE GATE YOU MUST PUSH THROUGH IN ORDER TO FIND THE LILIES IN YOUR OWN FIELD. THE POINT IS THIS:….JUST GO FOR IT!

THEY EXIST. THE KIND OF GIRL ONE'S MOTHER WOULD WISH TO INHERIT AND PROMOTE YOUR JOY, FULFILLMENT AND CAPACITY FOR DANCING MORE. A DREAM SERVER AND NOT A DREAM SPOILER. A FORTUNE BUILDER AND NOT A FORTUNE TAKER. A REAL FRIEND AND NOT YOUR CLOSEST CRITIC. YOUR SOUL IN LESS PAIN THAN YOU. A BALOON WHO HAS MANAGED TO SUCCESSFULLY AVOID A LOT OF PRICKS.

THE BOTTOM LINE IS THIS: I'M YOUR DADDY. SO WHY FRET? WHY FEAR? WHY? IT'S ALL UNDER CONTROL DESPITE THE SMUDGED APPEARANCE OF THINGS. IT'S ALL A DREAM, A SCARY DREAM AT TIMES BUT STILL A DREAM WITHIN YOUR POWER TO ALTER AT ANY GIVEN MOMENT (AND THOSE MOMENTS ARE NOW). SOME OF THE ENERGY NOW BEING USED TO WORRY AND DOUBT CAN BE CONVERTED TO PARTY ENERGY INSTEAD. SO DON'T WORRY ABOUT THE END OF THE WORLD, PARTY ABOUT THE END OF THE WORLD AND WHEN THE PARTY ENDS, THE OLD WORLD WILL HAVE GONE WITH IT. SO LET ALL BUSHES BE BUSHES AND FOCUS ON YOUR OWN UNDERGROWTH. DANCE, MAKE LOVE, SING SILLY SONGS AND RECITE STUPID PHRASES. SWEAR MORE AND GARGLE BETWEEN EXPLETIVES WITH WORDSWORTH (WHAT A GREAT NAME FOR A POET!). SURPRISE YOURSELF FROM TIME TO TIME JUST TO KEEP YOUR SELF-OPINION FROM BECOMING RUSTY. NEVER DUMB DOWN TO MAKE ANOTHER FEEL BETTER BECAUSE IT CHEATS TWO PEOPLE AND CHEATERS ALWAYS CHEAT THEMSELVES MOST OF ALL. AND ALWAYS, ALWAYS THROUGH WHATEVER CONDITIONS LIFE BENDS TOWARDS YOU, WASH YOUR ASS! BECAUSE AS CHRIS ROCK WOULD SAY ..YOU NEVER KNOW…

AS A ONE TIME PSEUDO JOURNALIST (PSEUDO BECAUSE I REALLY DO LIKE SUEDE!) I WAS CONCERNED THAT THE TITLE MIGHT EVOKE UNFAVOURABLE COMPARISONS WITH OTHER CLASSIC TITLES LIKE 'REACH OUT FOR ME' WRITTEN BY MAESTROS BACHARACH AND DAVID, AND THE FOUR TOPS 'REACH OUT I'LL BE THERE'. YET I REALIZED THAT IT WAS ALSO POSSIBLE THAT BY SOME QUIRK OF LUCK THE SONG COMPUTER WOULD SLIP UP AND REWARD ME INADVERTENTLY WITH SOME OF THOSE OTHER SONGS ROYALTIES AND THAT EVENED OUT THE ARGUMENT. WE GET MORE THE MORE WE ARE WILLING TO REACH OUT AND RECEIVE, THE MORE EFFORT WE ARE WILLING TO EXPEND TO GET WHAT WE PERCEIVE AS OURS. THE HEROES SECRET IS THAT THEIR LOVE FOR THEIR LEGEND AND THEIR ROLE IN IT IS WHAT SUSTAINS THEM. REACH OUT, THE ONLY THING YOU'VE GOT TO LOSE ARE YOUR OLD DOUBTS.

SUBSONIC THEME: CONTRABAND FREQUENCIES, PART OF THIS COMPLETE BREAKFAST

CREEPING IN ON THE HEELS OF A PAST INCARNATION AND HAVING LEARNED A GREAT DEAL IN THE COURSE OF OBSERVING THAT LIFE IN MEDITATION, SANANDA MAITREYA ARRIVES AS THE 'YES' MAN, AND PRESENTS HIS FIRST OFFERING 'ANGELS & VAMPIRES -VOLUME ONE'. SANANDA, A LOVER OF ALL INSPIRING FORMS CALLS HIS MUSIC POST MILLENNIUM ROCK AND ALSO AT TIMES 'TREE HOUSE MUSIC'. WHY TREE HOUSE MUSIC? 'MY MUSIC IS THE SOUND MONKEYS HEAR IN THEIR HEAD WHEN THEY'RE DREAMING IN THE TREE TOPS'. A&V RELIES QUITE HEAVILY FOR ITS MUSICAL SUPPORT FROM THE FOUR BASIC FOOD GROUPS OF LIVE MUSIC: REAL DRUMS, BASS, GUITAR AND KEYBOARDS AND WENT WITH A MORE INTIMATE AND ORGANIC SOUND IN ORDER TO REINTRODUCE SONIC SUBTONES BACK INTO THE BODIES ENERGY MATRIX LONG WEAKENED BY COMPRESSED DIGITAL OVERLOAD AND ITS OVER EMPHASIS. THESE SONIC SUBTONES HELP TO BOLSTER THE BODIES ELECTROMAGNETICS AND SENSE OF OVERALL WELLBEING. A&V ALSO SOUGHT TO CREATE A SOUND BASE WHICH WOULD PROVIDE MORE EMOTIONAL SPACE IN WHICH THE SONGS MIGHT BREATHE AND FEEL LESS CONSTRICTED. SAYS MAITREYA: 'AT THE VERY BEGINNING OF THE PROJECT I MENTIONED TO EMO ALBORGHETTI, THE ENGINEER, THAT I WANTED TO WORK WITH WARM AND FUNKY TONES SIMILAR TO TWO OF MY FAVOURITE SOUND PICTURES: 'INNERVISIONS' ERA STEVIE WONDER AND JIMMY MILLER ERA STONES. GROOVE, ATMOSPHERE, HONESTY AND SURPRISE ARE ELEMENTS ESSENTIAL TO THE PRODUCTION AS WELL AS HAVING ABSORBED SOME MOJO OVER THE YEARS FROM HIS FRIENDSHIP WITH ONE OF HIS MENTORS: PRODUCER AND RECORD EXECUTIVE RICK RUBIN. AFTER THE ADVENTUROUS, PULL OUT ALL THE STOPS, PRODUCTION OF 'WILD CARD THE JOKERS EDITION', IT WAS IMPORTANT FOR MAITREYA TO TURN THE PRODUCTION ANGLE INSIDE OUT AND BEGIN AGAIN. AND AS RABBI RUBIN WOULD SAY: 'KEEP IT SIMPLE (BUT STILL BE YOU)'. THE COMPOSER DEDICATES THE 17 SONGS, WHICH SHALL BE PRESENTED WITHIN THIS TIME CYCLE, TO ALL OF THOSE WHO DARE TO REMAIN UNNAMED EVEN AS WE STRUGGLE TO NAME THEM. IT IS DEDICATED TO ALL OF PROMETHEUS' CHILDREN.

*	WE OFFER FOR OUR KARAOKE CRAZED ASTRONAUTS (OF INNER SPACE) AND SAMPLE MAGNET FINGER FREAKS FOR THE FIRST (BUT NOT THE LAST) TIME INSTRUMENTAL TRACKS TO DO WITH WHAT YOUR IMAGINATIONS DARE TO CONCEIVE AND REIMAGINE. ARE YOU CHICKEN? (INCIDENTALLY DO YOU KNOW WHO THE CHICKENS FAVOURITE COMPOSER IS? ….BACH BACH!) TAKE THEM, MASH THEM UP, REIGNITE THEM, RIP THEM TO SHREDS, AND MAKE SONIC SPIT BALLS OUT OF THEM. OR TELL SOME GULLIBLE GIRL OR BOY THAT YOU WROTE IT JUST FOR THEM…AND THEN SING OVER IT TO THEM! FOR -PROFESSIONAL PERMISSION- CONTACT THE - PROFESSIONALS - AT THE TREEHOUSE GANG (PUBLISHING CUBICLE) AND GET PERMISSION SO THAT WE CAN MAKE SOME OF THAT MONEY TOO! FOR PROFESSIONAL ENQUIERIES PLEASE CONTACT WWW.TREEHOUSEPUBLISHING.COM and write to: INFO@SANANDAMAITREYA.COM






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Part two:

The last major job entrusted to the missing Lincolns was of great importance to ancient Egypt and to the history of the developing world. It was given to them to fake the death of the young Tutankhamen and his beloved bride and transport them through a pleidean time wave portal whereby they could be placed in a crystalline time chamber connected to the mathematics of both the pleidean star system and the pyramids at Giza. From there holographic images of them both could be projected through time in order to influence the march of progress. Shakespeare was one such projection born into the royal house of England as a bastard son of queen Elisabeth and her lover and mentor John Dee. Beethoven another such witness whose music brought to bear all that he had absorbed at the feet of his father Akhenaton's priests in the halls of Amenti. Martin Luther King was another projection whose physical contingency matched the frequencies of the royal houses of the young kings dynasty. There were quite a few others, including one of his brides favourite side-projects : The Beatles ! also prepared for their role by her when they were her students as cohens in the monasteries of Nubia. In Tut's time, the Missing Lincolns were known as the 'Phempmops' almost exclusively hidden high priests that only a privileged few were blessed to gaze upon. It was said that those who crossed the threshold of their will always experienced strange,
sudden and gruesome deaths.

February 4, 2005