The Rise Of The Zugebrian Time Lords CHAPTER 3: ‘PLASMA SCREAMS’

 

The RISE Of The Zugebrian Time Lords CHAPTER 3:

‘PLASMA SCREAMS’ (The Bloodlines vs. The Timeline)

All Songs Written, Produced, Arranged & Performed by Sananda Maitreya for TreeHouse Publishing.

All Songs Recorded & Engineered By Matteo ‘Sergente’ Sandri.

All Songs Mixed By ‘Sergente’ & Sananda at TreeHouse Studio, Milano Italia.

All Songs Recorded at TreeHouse Studio.

Sessions assisted by Mattia Pittella & Tommaso Caprotti.

Sessions commenced on June 23 2014 and concluded shortly thereafter.

All Power to your Blood!


‘PLASMA SCREAMS’

(The Bloodlines vs. The Timeline)

As it came to pass, ZACHARY THELONIOUS LOWENSTEIN, a code breaker of advanced plasma formulations was haunted by rumination, an image shuttering in his mind oft repeated, that stalked him and wouldn’t fade away quite as easily as smoke does in fluttering air. And it petitioned a corner of his mind to pose, as were it a Zen koan, this conundrum:

IS IT BETTER THAT THE CENTIPEDE WEARS MANY SMALL SHOES OR FITS ITSELF INTO ONE LARGE SHOE?

This conjuration disfigured his previous assumptions as it regarded the precise metrics it would take for the Plasma Wave Form Generator to free those lives trapped in ‘Snowglobia’, consisting among those relatives of his. As a researcher in good standing with the ZOOATHALON ALLIANCE, he were able to work in their laboratories and spacecraft, where with advanced plasma technology and the assistance of mathematics and his faith, he were able to transport himself temporarily to the future, where different trusted colleagues assisted his progress.

Attempting to work from his own present timeline would make it too easy for detection by the ZUGEBRIAN TIME LORDS, who in their occupations, monitor and repress these scientists with vigor and extreme prejudice. His future excursions gave him a cloak that, if not pressed too long would avoid notice at least until a breach was secured in ‘Snowglobia’; a local galaxy reduced by Zugebrian policy into the size of a snow globe. Their consciousnesses shrunk to inhabit the size of their new imposed reality. And after ‘Rigor Mortis’, a bigger Mortis ahead.

Zooathalon’s team had returned from the Gilead Power Station, where the local galaxy’s HELIOGENESIS was stored. This was an ethereal energy technology, both organic and mechanical that was harnessed from the core of Black Suns as well as extracted by special process from tapping into BLACK HOLES and their dense Subatomic frequency wave patterns. Black Energy Generators that gather and mutate waveform anomalies into virgin atoms that create new life and recreate all life. It functions as a pre-Solar battery of unlimited source and yet remains ripe for new discovery.

Having found and defused a bomb in Gilead placed there by the Zugebrian menace; the Zooathalonians were able to devote fuller attention to the rescue of their allies trapped in Snowglobia. And these attentions would serve to benefit the work needed in order for Zack T. Lowenstein to complete the proper calculations whose exactness were priority.  The integrity of the mission depended upon his attention to DETAIL, upon whose tracks the devil’s choo choo rides. Only from his brief visits to the future could he really ascertain how urgent it was that his bloodlines be rescinded from the Zugebrian Timeline. Not only would HE cease to exist, (Don’t forget, THEY WENT BACK IN TIME AND THEY KILLED ROBERT JOHNSON) but also several of his timelines would cease to exist, which like toppling dominoes would also require that his bloodlines and their options and prerogatives be likewise erased from the hand of time, with not much more than a single fingerprint having been left on the sands, slipping through the same hands. He loved his life and didn’t want to lose it, nor the future upon whose horizon his vision pointed him towards.  Zack Thelonious Lowenstein had dreams of ‘Continuance’.

He also had serious, challenging work. Though a challenge he embraced. He had a future to steal back from his enemies in service to a post nuclear formula the success of which would change the whole game forever, by the simple and evolving laws of Plasma Wave Form manipulation. He just had to find the right way to play it. And it would require that Zooathalon’s pilots and their  ‘Scarabeos’, (time travel devices) would need to become ASTRONAUTS OF INNER SPACE in order for the outcome to hedge its bets on the side of favorable, and beyond the reach of mundane query. After all, time is but a fable except to the weary and all of life a circus except to the clowns.

So again, taunting his sleep and tossing him around as a wet rag in a tantrum’s hand was THE question never too far from his sweat:

IS IT BETTER THAT THE CENTIPEDE WEARS MANY SMALL SHOES OR FITS ITSELF INTO ONE LARGE SHOE?

Once this equation was translated from his imagination and into scientific reality, he could properly program his Plasma Wave Form machines into a successful operation on his team’s behalf, freeing the Snowglobians from their plight by realigning their basic genetic code with subatomic particle plasma radiation and transmuting them from one place, back to the safety of another, the worlds they once knew before entrapment. Getting those codes was key, but not easy and might take some time.

But Zack was taught that even as the short hand of time buries the past, the long hand resurrects.

Meanwhile minute by minute, the plasma in his bloodlines patiently plodded on as it boiled, yet bubbled with excitement about the adventure that he were entrusted to be an integral part of as he toiled diligently away aboard the spacecraft ‘Jamaica Blue’.

Sananda Maitreya.


Songs for Chapter 3:  THE RISE OF THE ZUGEBRIAN TIME LORDS: ‘Plasma Screams’

LES PAUL MAN (Love is Love) 3:25

APOLOGIZE TO HER 3:48

JAMAICA BLUE 4:OO

BLANKET ON THE GROUND 3:28

Song 1 : LES PAUL MAN (Love is Love)   (3:25)

Drums, Bass, Guitars, Slide Guitar, Percussion, Piano, Organ, Vocals: S.M.

Song 2: APOLOGIZE TO HER (3:48)

Drums, Bass, Percussion, Guitars, Organ, French Horns (Kurzweil Synth), Vocals: S.M.

Song 3: JAMAICA BLUE (4:00)

Drums, Bass, Guitars, Percussion, Mellotron, Synth, Vocals: S.M.

Song 4: BLANKET ON THE GROUND (3:28)

Drums, Bass, Guitar, Keyboards, Percussion, Vocals: S.M.   Horns: The ‘Undocumented Mexican Hat Players’. Strings by 'Highly Strung'. Horns & Strings arranged by S.M. Recorded & Engineered by Tchad Blake. Mixed by Tchad & Sananda at Blue Jay Recording Studios, Concord Massachusetts, U.S.A. in a time warp between the urgency of now and the necessity of then.

I would like to thank Matteo ‘Sergente’ Sandri for his steady assistance, and TreeHouse for its support. I would also like to thank God for understanding as well as my wife & family for their love & patience. These songs dedicated to your steady persistence through life!

* Sananda Maitreya is not in any way endorsed by Gibson Musical Instruments. He just uses their stuff and pays for it like everyone else blessed to be able to afford fine quality instruments! And the man Les Paul is a hero.


LYRICS for 'PLASMA SCREAMS'

Song 1 : LES PAUL MAN (Love is Love)   (3:25)

‘Cause Love is Love
Love is Love
Love is Love
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
I am a Les Paul man
 
Your Lips are Red
Your Eyes are Green
Your Skin is Everywhere
To Be Seen
 
And I’m Lochinvar*
In his Rocking Car
Or Genghis Khan*
With his High Heels on
 
‘Cause Love is Love
Love is Love
Love is Love
 
‘Cause Love is Love
Love is Love
Love is Love
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
I am a Les Paul man
 
You should be on
The cover of
A magazine that
The ladies love
 
I’m not a man
Who makes a fuss
About the facts that
Stand in the way of us
 
‘Cause Love is Love
Love is Love
Love is Love
 
‘Cause Love is Love
Love is Love
Love is Love
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
 
It will never work
Because you are a Lesbian
And I am a Les Paul* man
 
It will never work
Because you are a Lesbian
And I am a Les Paul man
I am a Les Paul* man
 
Girl I can give you
My Guitar
Just a couple of chords
And you’re a Star!
 
‘Cause Love is Love
Love is Love
Love is Love
(x4)
 
Written, Arranged, Produced & Performed by SANANDA MAITREYA
Drums, Bass, Guitars, Slide Guitar, Percussion, Piano, Organ, Vocals: S.M.
© + P  2014 TreeHouse Publishing
www.Sananda.org
 
Song 2: APOLOGIZE TO HER (3:48)
 
Apologize to Her
Don’t make another slur
It won’t get better feeling worse
Apologize to Her
And show her that you care
It’s not about who’s Right or Wrong
Apologize and love will lead you on
 
Live Strong
But don’t forget
The GOLDEN RULE
You know Life
Don’t have to be so cruel
With the Mindset of a Fool
 
Apologize to Her
Don’t make another slur
It won’t get better feeling worse
Apologize to Her
And love is what occurs
It’s not about who’s Right or Wrong
Apologize and love will lead you on
 
The Wine from
The Vine comes
Not before it’s time
You’re not an Ass
You’re just a Mule
With the Mindset of a Fool
 
Apologize to Her
Don’t make another slur
It won’t get better feeling worse
Apologize to Her
Forgive until it hurts
It’s not about who’s Right or Wrong
Apologize and love will lead you on
 
Don’t throw your
Love Away
Or the Nights
Will make you Pay
You know that life
Can be so cruel
With the Mindset of a Fool
 
Apologize to Her
Don’t make another slur
It’s not about who’s Right or Wrong
Apologize and love will lead you on
 
Apologize to Her!
 
Written, Arranged, Produced & Performed by SANANDA MAITREYA
Drums, Bass, Percussion, Guitars, Organ, French Horns (Kurzweil Synth), Vocals: S.M.
© + P  2014 TreeHouse Publishing
www.Sananda.org

Song 3: JAMAICA BLUE (4:00)

Swimming in a Sea of Fantasy
And Schooling all the Fish in view
A Mermaid in these Waters gave birth to Me
‘Cause I was born Jamaica Blue
 
I Was Born Jamaica Blue
I was born Jamaica Blue (x4)
 
The River is running on Time Again
What goes around comes around
Don’t bite off more than your Mouth can chew
And Hate the Circus
But Don’t Hate the Clowns!
 
‘Cause I Was Born Jamaica Blue
I was born Jamaica Blue (x4)
 
The Moonlight tonight is traveling
From the Roots of my Heart to you
My Mother gave Birth to me in these Seas
Where I was Baptized by the Breeze
 
‘Cause I Was Born Jamaica Blue
I was born Jamaica Blue!
 
Written, Arranged, Produced & Performed by SANANDA MAITREYA
Drums, Bass, Guitars, Percussion, Mellotron, Synth, Vocals: S.M.
© + P  2014 TreeHouse Publishing
www.Sananda.org

Song 4: BLANKET ON THE GROUND (3:28)

If 1 & 1 is 2
Am I the One for You
Do you know what I Mean?
If 6 & 3 are 9
Will you always be Mine
Even though I’m Green?
But since Spring is in the Air
Relax your Long Soft Hair
I’ll be true
 
Blanket on the Ground
Heaven’s all around
And I’m Still in Love with You
 
The Circus came to town
I played the role of Clown
It must be my nose
The laughter in your Smile
Stayed with me awhile
Or so the Story goes
But Every Circus Leaves
Sawdust Memories
They really do
 
Blanket on the Ground
Heaven’s all around
And I’m Still in Love with You
 
I Don’t Care What You Fear
I’ll Always Be Here
Near To You!
Even in the Acid Rain
I’ll be your Sugarcane
So Sweet to You
 
Sitting on the Beach
The Stars are out of reach
So I grab your Hand
Promising You All
Before the Rains fall
Throughout the Land
As you Accept this Ring
To be my Wife I sing
Just for two
 
Blanket on the Ground
Heaven’s all around
And I’m Still in Love with You
 
Blanket on the Ground
Heaven’s all around
And I’m Still in Love with You
 
Written, Arranged, Produced & Performed by SANANDA MAITREYA
Drums, Bass, Guitar, Keyboards, Percussion, Vocals: S.M.   Horns: The ‘Undocumented Mexican Hat Players’.
© + P  2014 TreeHouse Publishing
www.Sananda.org
 

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